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page122from Nordic Architects Writes
and expressed the spirit of the time. There
seemed to be a strong creative power in the air.
But
the gods of architecture were dead: only imitative art from old Rome, neo-classicism.
And
from now on during the Romantic time and the whole nineteen century, we see
fairy play with architectural forms. All the styles, antique, Romanesque,
Gothic, Renaissance from here and Renaissance from there, towers, pinnacles,
crenulations, all dancing together in this fairy play. Imitation is fashion o... more ...
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page121from Nordic Architects Writes
We all know how well the Gothic
architecture expresses the Gothic life. But life keeps changing from day to
day. Instead of dry Scholasticism there comes something new in the mediaeval
life. People begin to read antique literature, they begin to study antique art,
and during two hundred years or more the antique ideal of man meets the Gothic
ideal of God through humanism. We have a new cultural epoch. We have a new
architectural form. A new style.
There
are three things which together form a style:
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page120from Nordic Architects Writes
We have Cezanne and Picasso. Many say that
Picasso is the greatest painter of today. Maybe. Maybe he will found the
painting of the future. Or maybe his influence will be gone in a few years, or
a few decades.
Maybe
there will appear some day a strong mind that will go deep into things, and the
doors will open for the painting of the future. Maybe the same will happen in
the art of building! Only the future can tell.
But, say someone, why all this talking
about deep thinki... more ...
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page119from Nordic Architects Writes
This fundamental form is the attractive
power which leads the art development towards a coming style. We have many
kinds of individuals, but only those individuals, who feel the fundamental form
of our time and who can express it in an adequate architectural language are
our leaders. And the strongest of them will remain as milestones in the history
of architecture.
That
is so in every art.
But
more in architecture than in other arts the outline of the individual
disappears when the ... more ...
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page118from Nordic Architects Writes
been regarded for hundreds of years as
basic things in all architecture. Aren’t they good enough?” It is surprising
that they ask this, because nobody asks: “Why all this thinking today? We have
Plato, Aristotle and Kant. Aren’t they good enough?”, or “Why all this
composing today? We have Bach, Mozart, Beethoven.”
I
think, however, most of the people understand the movement. They see the logic
of it, they know that a new time has to create new forms. But they may think it
often goes too far. Why revolution? Why not evolution?
&... more ...
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