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page200from Building Ideas
3 Paolo Soleri –“Arcosanti”, Arizona, 1969
onwards.(Neil Jackson)
would
be the equivalent of the rules of metre and rhyme for poets of earlier times: a
body of constraints stimulating new discoveries, a set of rules with which
improvisation plays.35
This
notion of improvisation recalls the architectural intentions of Herman
Hertzberger, who also attempted to inspire this kind of engagement between
buildings and their users. A more extreme example of
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